How You Can Keep A Clear Vision Throughout Your Film

Learn from a filmmaker whose films have been distributed by HBO, Starz, and Entertainment One, and explore case studies of how professional filmmakers maintain their vision through their award-winning films.

You've made it through development and pre-production and it's time to direct your feature film or TV episode. You have a plan in mind and a clear and unified vision that will be expressed in each and every fame. 

But once you’re on set, things can move and change fast. As everyone is coming to you with hundreds of questions about every creative choice, you must be prepared so that you maintain your consistent vision throughout. This is why it's so important to develop a filtering process that is flexible enough to adjust to obstacles but strong enough to process the many choices that you make from now through your film’s release. 

In this exclusive Stage 32 webinar, you’ll learn four distinct filtering processes that every filmmaker needs to know to manage the responsibilities that come with directing while maintaining a unified vision to deliver an effective story, all while highlighting your unique point of view.

In addition to learning these filters and how to apply them, you’ll also explore case studies through well-known, award-winning films and television series.

Guiding you through this process is acclaimed filmmaker Jesse Wolfe, whose films have been distributed worldwide by HBO, Starz, and Entertainment One and has worked with Warner Bros., Castle Rock Entertainment, ABC Television, Disney Channel, AMC, and Showtime Networks. He’s also mentored over 2,000 film projects, including official Sundance, Cannes, Tribeca, and SXSW selections and award winners.

By the end of this webinar, you’ll know a tried-and-true process to create a cohesive film that has been developed by an acclaimed filmmaker and mentor that you can use immediately to bring your vision to life.

Praise for Jesse's Talent & Knowledge:

“I have known Jesse for over twenty years, ever since we were Fellows together at AFI, and from those first film school encounters all the way to the present I have known him to be a person of quality: a good friend, a talented film and television professional and a dedicated teacher…” -- Patty Jenkins (director WONDER WOMAN)

“Anyone who has been in this business for a significant amount of time knows that there is a lot of talk and a lot less action, but Jesse has proven himself to be one of those rare people who can and does follow through. He takes his talents and passions and combines them with discipline and generosity to bring excellence to any endeavor he is associated with. He is also happy to share his experiences and knowledge, particularly with younger/newer filmmakers and goes out of his way to help friends and colleagues with their own creative pursuits…” -- Pilar Alessandra (The Coffee Break Screenwriter/On The Page)

“From the first day I saw him interact with students I knew he was going to be a valuable faculty asset. His wealth of knowledge and expertise in all areas of film and television production, from writing and script development, on set production and post theory was immediately evident, and students responded to his mentoring with enthusiasm. Their work immediately improved. Thesis films began to show thought out stories and performances became truthful and layered. Shot designs were designed not just to “look cool” but had a purpose…” -- Jon Alvord (VFX Supervisor “X-Men”, “The Player”)