{"product_id":"the-filmmaker-s-guide-to-music-in-movies","title":"The Filmmaker’s Guide To Music In Movies","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cimg src=\"http:\/\/admin.stage32.com\/vendor\/moxiemanager\/data\/uploads\/stage32top.png\" alt=\"\" width=\"1280\" height=\"158\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 14pt; color: #42C2CB;\"\u003e\u003cstrong\u003eLearn everything you need to know about how to source and use music in your productions from Alan Brewer, who is the President of New Brew Entertainment. Alan has extensive experience in every aspect of music for film and television including Music Supervision, Music Clearance \u0026amp; Licensing, Music Production, Score Composition, and Music Publishing!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 12pt; color: #42C2CB;\"\u003e\u003cstrong\u003ePLUS! You'll receive a Music in Motion Pictures: Rights and Licensing exclusive handout!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ffffff;\"\u003eWe all agree that music can make or break a film.\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #ffffff;\"\u003e From Spike Lee to Steven Spielberg to Greta Gerwig to Quentin Tarantino, the best filmmakers rely heavily on music in their films to create a particular tone and evoke a certain emotion from the audience. The music you choose for your film can literally make or break your project. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ffffff;\"\u003eHowever, most budding filmmakers have no clue where to begin in getting the necessary legal rights to use music in their films. \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #ffffff;\"\u003eWhile many independent filmmakers spend a great deal of time learning about the various aspects of the craft and business of filmmaking, most emerging filmmakers, even those who have gone to prestigious film schools, have little to no knowledge about the administrative and legal requirements for the inclusion of music in their projects. Furthermore, most independent filmmakers don’t know how to best navigate the creative music search with respect to finding songs and\/or composers suitable for their productions and appropriate to their budgets. \u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"color: #ffffff;\"\u003eAll too often, independent filmmakers find themselves in a bind, learning late into post-production that they don’t actually have permission to use the music they were planning to include in their project. Without the proper legal authorizations for the use of the music, your film will not be accepted to film festivals or get released on any platforms.\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #ffffff;\"\u003e We’re here to help!\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ffffff;\"\u003eIn this exclusive Stage 32 webinar, you will learn how to ensure that the music in your film satisfies the necessary legal requirements in order to be included in your project. \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #ffffff;\"\u003eYou will learn everything from the different types of rights you need for music and how to obtain them, to how to work with a composer and your music team, the differences between using existing songs or creating original music for your film, how and when you need to create music cue sheets, and more. Teaching you everything you need to know about the use of music in your film is \u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"color: #ffffff;\"\u003eAlan Brewer, President\/Owner of New Brew Entertainment\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #ffffff;\"\u003e. Alan has worked as a Film Producer, Score Composer, Music Supervisor and Soundtrack Producer on feature films and television productions for \u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"color: #ffffff;\"\u003eUniversal, MGM, Fox, Warner Bros., Bold Films, CBS Television, Orion Pictures, Miramax, Summit Entertainment, Shochiku-Fuji Films, Anonymous Content, IFC Films, CMT, and VH-1, and others\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #ffffff;\"\u003e. He produced the Universal Pictures release \u003cstrong\u003ePLAYING FOR KEEPS\u003c\/strong\u003e (starring Daniel Jordano, Matthew Penn, Marisa Tomei). His feature credits include the Warner Bros release, \u003cstrong\u003eAMERICAN PASTIME, COME EARLY MORNING \u003c\/strong\u003e(starring Ashley Judd, Laura Prepon, Jeffrey Donovan, Tim Blake Nelson), \u003cstrong\u003eDavid Bowie’s\u003c\/strong\u003e \u003cstrong\u003eZIGGY STARDUST \u0026amp; THE SPIDERS FROM MARS, \u003c\/strong\u003e \u003cstrong\u003ePaul McCartney’s ROCKSHOW,\u003c\/strong\u003e horror classic \u003cstrong\u003eTHE BURNING,\u003c\/strong\u003e \u003cstrong\u003eTRAILER PARK OF TERROR,\u003c\/strong\u003e \u003cstrong\u003eTOKYO POP, \u003c\/strong\u003eand \u003cstrong\u003eSECRET POLICEMAN'S OTHER BALL\u003c\/strong\u003e \u003cstrong\u003e(featuring the members of Monty Python, Peter Cook, Rowan Atkinson, Pete Townshend, Sting and others).\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ffffff;\"\u003eOver an information-packed 90 minutes, Alan will cover the full range of information you must have in order to effectively and legally include music in your production whether you are working on a feature project with a substantial budget or a micro-budget short film intended only for festivals.\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #ffffff;\"\u003e Additionally, not only will this course be highly informative and useful for individuals working in film \u0026amp; television (producers, directors, production managers and post-production supervisors) but also for those songwriters, composers and music artists with a focus on creating music for film \u0026amp; television or placing their existing music in current projects.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ffffff;\"\u003ePLUS! You'll have a Q\u0026amp;A with Alan and receive exclusive handouts to help you best work with music for your project. Downloads include:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cstrong\u003e\u003cspan style=\"color: #ffffff;\"\u003eMusic in Motion Pictures: Rights and Licensing\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 14pt;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #42C2CB;\"\u003e\u003cem\u003e\"I'm excited to share with the Stage 32 community my accumulated knowledge resulting from many years of experience in all aspects of the music for film \u0026amp; television process. Having worked all my life as both a music \"provider\" and a music \"user” for film, I look forward to providing the facts regarding what has to be done as well as the language and terminology that will help facilitate communication between all parties involved in the use of music in a film project.” - Alan Brewer\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\r\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 14pt;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #42C2CB;\"\u003ePraise for Alan's Work\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan style=\"font-size: 12pt; color: #42C2CB;\"\u003e“(Brewer is) a sort of artistic systems resource manager, ever balancing aesthetics and the bottom line.\" - MIX Magazine\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan style=\"font-size: 12pt; color: #42C2CB;\"\u003e“One of the most diversified artists in the industry.....There’s a lot to be learned from such a revered professional as Brewer.” - The Music Paper\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan style=\"font-size: 12pt; color: #42C2CB;\"\u003e“Brewer worked to develop a creative consistency despite the diversity of the musical artists. The result is pure state of the art sound throughout.” - Valley Advocate\/New Haven Advocate\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan style=\"color: #dddddd;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cimg src=\"http:\/\/admin.stage32.com\/vendor\/moxiemanager\/data\/uploads\/18_11.png\" alt=\"\" width=\"1280\" height=\"158\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Stage 32","offers":[{"title":"Default Title","offer_id":48395553603891,"sku":"","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/7728\/4659\/files\/image_65fc7b28a24db.jpg?v=1711045419","url":"https:\/\/stage32.myshopify.com\/products\/the-filmmaker-s-guide-to-music-in-movies","provider":"Stage 32","version":"1.0","type":"link"}