{"product_id":"how-to-write-female-driven-film-tv-comedies-that-pop","title":"How to Write Female Driven Film \u0026 TV Comedies That Pop","description":"\u003cp\u003e\u003cspan style=\"color: #42C2CB; font-size: 14pt;\"\u003e\u003cspan style=\"font-size: 14pt;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: teal;\"\u003e\u003cimg src=\"http:\/\/admin.stage32.com\/vendor\/moxiemanager\/data\/uploads\/15.png\" alt=\"\" width=\"1280\" height=\"158\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"color: #42C2CB; font-size: 14pt;\"\u003eIt's an undeniable fact, we are living in a gold rush of comedy content featuring lead female characters. Just think about the major box office and streaming successes we've seen over the last few years. On the feature film side, you have movies such as \u003cem\u003eLate Night, Girls Trip, What Men Want, Rough Night, Bad Moms, \u003c\/em\u003eand\u003cem\u003e Trainwreck\u003c\/em\u003e to name a few. On the networks, premium cable channels, and streamers \u003cem\u003eFleabag, \u003c\/em\u003e\u003cem\u003e2 Broke Girls, Mom, Glow, Russian Doll, Insecure, The Marvelous Mrs. Maisel, \u003c\/em\u003eand \u003cem\u003eUnbreakable Kimmy Schmidt\u003c\/em\u003e have drawn huge audiences and many have won major awards. Is it any wonder why development executives, managers, agents, producers and financiers are looking for writers who have the ability to write screenplays and teleplays featuring memorable and iconic female characters?\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ffffff;\"\u003eThere are many inroads to breaking and staying in the industry as a writer, but one of the most important factors is understanding what's hot in the marketplace. And right now, thanks to the massive buying power of the streaming platforms along with other major feature film and television production companies looking for comedies, it's never been a better time to understand how to write female driven comedies that pop.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cspan style=\"color: #dddddd;\"\u003e\u003cstrong\u003eDavid Shecter has has been working in the industry in production, development, and as a writer for over a decade.\u003c\/strong\u003e David has written on many shows, including season 5 of \u003cstrong\u003e\u003cem\u003eIt's Always Sunny in Philadelphia\u003c\/em\u003e\u003c\/strong\u003e. His experience and success on that show landed David on the pilot of the CBS show. \u003cem\u003e\u003cstrong\u003e2 Broke Girls\u003c\/strong\u003e\u003c\/em\u003e where he worked his way up as a staff writer on the 6th and final season of the show. David is currently developing a female driven action comedy cop show, \u003cem\u003e\u003cstrong\u003eLady Copped\u003c\/strong\u003e\u003c\/em\u003e, with \u003cstrong\u003eNew Form and STX Entertainment\u003c\/strong\u003e. Most recently David was named one of the WGA TV Writer access honorees for his script \u003cem\u003e\u003cstrong\u003eFor Worse\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDavid will teach you everything he's learned about writing female driven comedies throughout his career.\u003c\/strong\u003e He will show you how to avoid the all to common cliches that seemingly find their way into every female driven script. He will show you why sex sells, but how to properly write sex and sexuality into your screenplay to make it unique. He will teach you the practice of gender flipping and role reversals. He will show you how you can bring a personal connection to your female characters no matter whether you're a male or female. He will show you how to examine your plot and your characters before you begin writing to make the process flow more smoothly. He will show you the difference between one dimensional vs multi-dimensional characters and how easy it is to fall into the former, but how important it is that you learn the latter. \u003cem\u003e\u003cstrong\u003eFinally, David will present a case study of his latest screenplay Lady Copped which is now in development with New Form and STX.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 14pt; color: #42C2CB;\"\u003eWhether you're a feature or TV writer, you will learn all the important factors in writing a female driven comedy that will get you reads and attention. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"color: #42C2CB; font-size: 14pt;\"\u003e\u003cstrong\u003ePRAISE FOR DAVID'S TEACHINGS:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 14pt; color: #42C2CB;\"\u003e\"Another incredible and insightful webinar presented by Stage 32. I have received notes on my screenplays in the past that my female characters fell into cliche. As a female, that pissed me off! But now I understand why and I'm already on the path to changing things for the better. Thank you, David, and bravo, Stage 32!\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 14pt; color: #42C2CB;\"\u003e-Melissa J.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 14pt; color: #42C2CB;\"\u003e\"Can men write female driven comedies? I often asked myself that question. I'm not any longer. Loved this presentation.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 14pt; color: #42C2CB;\"\u003e- Kyle P.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-size: 14pt;\"\u003e\u003cem\u003e\u003cspan style=\"color: teal;\"\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cstrong\u003e\u003cimg src=\"http:\/\/admin.stage32.com\/vendor\/moxiemanager\/data\/uploads\/18_11.png\" alt=\"\" width=\"1280\" height=\"158\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Stage 32","offers":[{"title":"Default Title","offer_id":48055871897907,"sku":"","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/7728\/4659\/files\/image_65c59e6a3e7e2.jpg?v=1707449965","url":"https:\/\/stage32.myshopify.com\/products\/how-to-write-female-driven-film-tv-comedies-that-pop","provider":"Stage 32","version":"1.0","type":"link"}