{"product_id":"directing-on-a-tight-schedule-how-to-shoot-a-feature-in-15-20-days","title":"Directing on a Tight Schedule: How to Shoot a Feature in 15–20 Days","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cf01.stage32.com\/products\/nova\/uploads\/product_tinymce_6a4e866c46fb6.png\" alt=\"\" width=\"1020\" height=\"126\"\u003e\u003c\/p\u003e\r\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"color: rgb(49, 236, 227);\"\u003eLearn from an Independent Spirit Award-nominated director with 20+ years of directing hit-the-ground-running features and TV!\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv data-index=\"5\"\u003e\r\n\u003cdiv tabindex=\"0\" role=\"article\" aria-setsize=\"8\" aria-posinset=\"6\" aria-label=\"Message 6 of 8\"\u003e\r\n\u003cdiv data-test-render-count=\"2\"\u003e\r\n\u003cdiv class=\"group\"\u003e\r\n\u003cdiv class=\"contents\"\u003e\r\n\u003cdiv class=\"group relative relative pb-[var(--msg-assistant-pb,0.75rem)]\" data-is-streaming=\"false\"\u003e\r\n\u003cdiv class=\"font-claude-response relative leading-[1.65rem] [\u0026amp;_pre\u0026gt;div]:bg-bg-000\/50 [\u0026amp;_pre\u0026gt;div]:border-0.5 [\u0026amp;_pre\u0026gt;div]:border-border-400 [\u0026amp;_.ignore-pre-bg\u0026gt;div]:bg-transparent [\u0026amp;_.standard-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.standard-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8 [\u0026amp;_.progressive-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.progressive-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3 standard-markdown\"\u003e\r\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" style=\"text-align: center;\"\u003e\u003cspan style=\"color: rgb(49, 236, 227);\"\u003eGet a real shot list and script pages breakdown you can use as a template on your very own feature!\u003c\/span\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"flex justify-start ml-0.5 opacity-0 group-hover:opacity-100 group-focus-within:opacity-100 pointer-coarse:opacity-100 transition-opacity duration-150\" data-message-action-bar=\"\"\u003e \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv data-index=\"6\"\u003e\r\n\u003cdiv tabindex=\"-1\" role=\"article\" aria-setsize=\"8\" aria-posinset=\"7\" aria-label=\"Message 7 of 8\"\u003e\r\n\u003cdiv data-test-render-count=\"2\"\u003e\r\n\u003cdiv class=\"contents\"\u003e\r\n\u003cdiv class=\"mb-1 mt-[var(--msg-gap,1.5rem)] group\"\u003e\r\n\u003cdiv class=\"flex flex-col items-end gap-1\"\u003e\r\n\u003cdiv class=\"group relative inline-flex gap-2 bg-bg-300 rounded-xl pl-2.5 py-[var(--msg-bubble-py,0.625rem)] break-words text-text-100 transition-all max-w-[75ch] flex-col !px-[var(--msg-bubble-px,1rem)] max-w-[85%]\" data-user-message-bubble=\"true\"\u003e\r\n\u003cdiv class=\"flex flex-row gap-2 relative\"\u003e\r\n\u003cdiv class=\"flex-1\"\u003e \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eIf you're a director hoping to break into features, here's a truth you need to hear: the script gets you in the room, but your ability to execute is what gets you hired again. Producers today expect features shot in 15 to 20 days, and that reality isn't going away. The directors who thrive aren't necessarily the most visionary — they're the ones who can prioritize, adapt, and deliver a great film on time and on budget. That's the skill set that separates a one-and-done director from a director with a career.\u003c\/p\u003e\r\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eHere's where most first-time directors get stuck: they think the hard part is knowing where to put the camera. It's not. The real challenge is everything around it — overshooting coverage, spending too long perfecting one scene, losing time because department heads weren't on the same page, or making choices on set that don't actually serve the edit. When you're expected to shoot six, eight, or even ten pages a day, those missteps don't just cost you minutes — they compound, push your production behind, and force the kind of compromises that weaken your final film. If you've ever wrapped a shoot day feeling like you were racing the clock instead of directing, you already know exactly what we're talking about.\u003c\/p\u003e\r\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThat's exactly why we brought in Ryan Little to teach this one. Ryan has spent over 20 years directing, producing, and shooting features under real schedule pressure — starting with his debut \u003cem\u003eSaints and Soldiers\u003c\/em\u003e, where he served as both director and DP and walked away with 16 Best Picture awards plus two Independent Spirit Award nominations. Since then, he's directed actors like Danny Glover, Sean Astin, Dolph Lundgren, and Mickey Rourke, and worked on projects alongside producer Dean Devlin, including the TNT pilot \u003cem\u003eBlank Slate\u003c\/em\u003e, along with TV episodes of \u003cem\u003eGranite Flats\u003c\/em\u003e and \u003cem\u003eExtinct\u003c\/em\u003e. Ryan doesn't just know how to survive a tight schedule — he's built an entire career thriving inside one, and he's ready to hand you the exact playbook.\u003c\/p\u003e\r\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eIn this webinar, you'll get Ryan's complete system for shooting fast without sacrificing quality — from breaking down your script and scouting locations that save you time, to building shot lists and shooting schedules that actually hold up on set. You'll also learn how to prioritize your shoot day for maximum production value, get the coverage you need without wasting takes, direct actors efficiently, and lead your crew so they trust you from day one. You'll walk away with a practical, tested approach to directing under pressure — the same one Ryan has used to build a career producers keep coming back to.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/cf01.stage32.com\/products\/nova\/uploads\/product_tinymce_6a4e867aaf2ff.png\" alt=\"\" width=\"1020\" height=\"126\"\u003e\u003c\/p\u003e","brand":"Stage 32","offers":[{"title":"Default Title","offer_id":53630715199795,"sku":null,"price":49.0,"currency_code":"USD","in_stock":true}],"url":"https:\/\/stage32.myshopify.com\/products\/directing-on-a-tight-schedule-how-to-shoot-a-feature-in-15-20-days","provider":"Stage 32","version":"1.0","type":"link"}